Media Facade · Generative Art · Daegu

We write screens, and we hang them.

Most studios hand over a video file. We hand over a work that can be re-rendered — because we build media art in code, not in an editing timeline. Then we install the LED panel or the projector it runs on, under the same contract.

What We Do

Three things, under one contract

We do not plan a project and hand it to someone else to build.

01

Media art content

Written as code. Because it is code and not an exported file, the same work comes back out at any aspect ratio and any resolution the site turns out to need.

  • Generative media art, made for the wall it will run on
  • 32:9 · 16:9 · 9:16 · 1:6 · L-shaped corner screens
  • Three concepts within one week, house colours applied up front
  • Public data and institutional databases wired into the screen
02

LED panels and media facades

We size the system, supply it, and install it ourselves — including structural work and cabling. Projection mapping falls under the same contract.

  • LED panel and signboard specification, supply, installation
  • Structural reinforcement, cabling, on-site survey
  • Projector-based media facade and projection mapping
  • Already have a panel? We connect a player over HDMI
03

Media Art AX

You choose the screen yourself in ArtWork Studio; we render it to your exact pixel dimensions and send the file.

  • No sign-up. A five-second watermarked sample appears at once
  • Final render within 24 business hours of approval
  • From ₩100,000 for individuals; institutional packages at ₩3.9M and ₩9M
  • Set up for Korean public procurement (KONEPS, negotiated contracts)

Why Code

A video file only fits one wall

  1. Screens are never the same twiceRatio, resolution and loop length differ at every site. A work written in code is re-exported at 32:9, 16:9 or 9:16 from the same source, and pushed up to 4K or 5K. A delivered video file has to be remade each time the screen changes.
  2. The approved concept is the delivered workOur works are deterministic: the same seed on the same canvas always produces the same frames. What you sign off on is what arrives.
  3. The screen can change every dayWire a public API or an institutional database into the work and the wall reads differently each morning without anyone editing anything.
  4. One week, not one monthCommissioned video work usually runs a month or more. Ours takes a week to three concepts, because planning, copy, visuals and playback code are generated together from your house colours, typefaces and restrictions.

Credentials

What we are certified to do in Korea

Certificates held by Oneul-eun Bomnal
Women-Owned Business Certificatevalid 2025.11.07–2028.11.06 · eligible for public-sector priority purchase and negotiated contracts up to ₩50M
Direct Production Certificatevalid 2025.10.29–2027.10.28 · video production services · qualifies for SME-only competitive bidding
Video Production Business RegistrationHeld; copy sent on request.
Independent Broadcast Production CompanyHeld; copy sent on request.

Working with us from outside Korea. Correspondence, concepts and delivery notes are handled in English. Contracts, tax invoices and public-procurement paperwork are issued under Korean law — for Korean clients we issue an electronic tax invoice only. Installation work is carried out in person across Daegu, Gyeongbuk, Busan, Gyeongnam and Ulsan; content-only delivery has no geographic limit.

Tell us the wall

Its size, where it is, and roughly when it has to be lit. That is enough to come back with a number.